Prezentacija 'Interdisciplinarna multimedija na 3. Međunarodnim susretima umjetnika u Veloj Luci 1972.'

Darko Fritz
23. 11. 2017. - 25. 11. 2017.

Danube University Krems | Goettweig Abbey | Austrian Academy of Sciences, Vienna

Darko Fritz će predstaviti istraživanje o 3. Međunarodnim susretima umjetnika u Veloj Luci 1972. na konferenciji RE:TRACE - International Conference on the Histories of Media Art, Science and Technology 24. 11., Göttweig Abbey.

International Artists' Meetings were international manifestations of visual and related arts that were held in Vela Luka (Croatia) in 1968, 1970 and 1972, but they are skipped from any valorization afterwards. Meetings were originally conceived as a summer colony for visual artists to work in the medium of mosaic, but in the next two editions the interdisciplinary syntheses of various art disciplines, urbanism, architecture and finally multimedia approach were carried out. The elaborate form of organization of creative work in a variety of settings, personal relations, collective and creative team work in conjunction with the local administration and the economy can be traced, which is articulated through several modalities of participation of a wider number of local people in creative art processes. Within 1968 Meetings, sound artist Luc Ferrari designed a multimedia performance art piece, described as “folk festival”, whereby he tried and eventually successfully included the local population. 1972 Meetings was held with the official theme entitled 'The problem of creating new forms of scenes by integrating citizens, film, television, music and visual artists' and propelled participations by local citizens. International Artists' Meetings, with their interdisciplinary approach and experimental and research character in the sphere of fine arts and architecture, as well questioning various levels of participation in them, presents a benchmark in the understanding and implementation of the contemporaneity. Meetings have offered new models to approach human creativity through innovation and freedom, as well as new organizational models of cooperation between local government, and business and culture.

 

Session: Artistic and curatorial narratives of memory, Chair:Frieder NAKE

Darko FRITZ (HR): Interdisciplinary Multimedia at the 3rd International Artists Meetings in Vela Luka 1972
José R. ALCALÁ (ES)/Beatriz ESCRIBANO BELMAR (ES): Interactive multimedia creations at the International Museum of Electrographic Artworks in Cuenca (Spain), 1994-2006. Pioneer productions for the construction of hypermedia narratives
Miklós PETERNÁK (HU): Photo/Model - The Memories of Forgetting
Leonardo IMPETT (CH): Robot Aesthetics and Cultural Imperialism: the Double Hermeneutic of Computational Photography
 

O autoru

Darko Fritz je umjetnik, istražitelj, kustos suvremene i medijske umjetnosti, grafički dizajner i oblikovatelj izložbi. 

Studirao je arhitekturu u Zagrebu i vizualnu umjetnost na Rijkakademie van beldende kunsten u Amsterdamu. Član je strukovnih organizacija HDLU, ULUPUH, HZSU i AICA. Umjetnički rad je predstavio na 20 samostalnih i više od stotinu grupnih izložbi diljem svijeta. Uz odabir suvremene umjetničke produkcije kroz program Siva zona u Korčuli, kustos je niza izložbi o povijesti suvremene i medijske umjetnosti od kojih izdvajamo bit international, [nove] tendencije, kompjuteri i vizualna istraživanja, 1961 – 1973, Neue Galerie, Graz, 2007, i ZKM, Karlsruhe, 2008-2009., te Histories of Post-digital: 1960s and 1970s Media Art Snapshots, Akbank Sanat, Istanbul, 2014. Fritzovi tekstovi su objavljeni na hrvatskom, srpskom, slovenskom, engleskom, poljskom, turskom, španjolskim i portugalskom. http://darkofritz.net